https://www.inquiryintotimeandperception.com/home daily 1.0 2022-03-04 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/addb7057-8816-47f7-8519-44cf604eadb0/art-experience-john-dewey-first_1_10003111f0fd4b76a74439db6b2a6262.png Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.inquiryintotimeandperception.com/backstory daily 0.75 2022-03-07 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ffdc14a2-771d-4562-b6a7-e288c546b29d/photo+3.JPG The Backstory - The “Inquiry into Time and Perception” project has provided me with a perfect frame within which to explore an in-depth exploration of temporality as seen through two distinct lenses. While one lens is focused on exploring temporality as cinematic time, a union of instances as captured by the camera, the other is centered on the body in motion, which under most circumstances treats time as duration. The pull and push between these opposing forces has resulted in studies rich in the dissident harmonies created by the inescapable visual friction. Photo Credit: Marlene Millar https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/a587cc54-7d8a-446c-86a2-0784c080a67f/photo+1.jpg The Backstory Photo Credit: Marlene Millar https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/69682279-3b8b-4736-bc21-ce3c4b80acbd/OCTOBER+26+RACHEL+6*.jpg The Backstory - Study #1 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ba5f9bf4-8dd9-4d09-854a-f13a9f043438/Inquiry%232_stills+1.jpg The Backstory - Study #2 https://www.inquiryintotimeandperception.com/contact daily 0.75 2022-03-02 https://www.inquiryintotimeandperception.com/study-1 daily 0.75 2022-03-04 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/90f77442-28b1-4ada-bebf-122387ac31f1/1.jpg Study #1 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/3f004041-eaa4-4236-9d7d-a3507507fbb8/2.jpg Study #1 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/75f5b143-6e57-40e8-8a9a-e0b16353824d/12239208_10153769375072744_3733798292877912668_o.jpg Study #1 - Make it stand out Light Moves Festivals of Screendance, November 2015 — Shortlisted, Festival Prize. https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/d64247c0-3ec8-4e0b-a9d3-60b56188540c/RACHEL+7.jpg Study #1 Dancer: Rachel Harris https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/31315821-9000-41e7-af0c-3784ad426c21/Untitled-1_.png Study #1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/6ac1cb09-f0f0-4f3c-bfcc-c4943136799c/Untitled-32.png Study #1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.inquiryintotimeandperception.com/study-2 daily 0.75 2022-03-12 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/83550595-7fad-4c83-b161-dfb44e12940d/IMG_7105.jpg Study #2 “One of the major discussions with my collaborators on this project has been about the art of presence. What makes one performer so captivating to watch on stage, that we are compelled to watch only them. Why do we follow their journey, riveted, while the rest seems to disappear from our foreground? Through them, we are drawn into a state of presence that expands not only the worlds that they are portraying but takes us into our own private worlds of imagination, hopes, dreams and memories where we get to perceive things in a more visceral, experiential way, and are affected by it.” — PHILIP SZPORER, Director https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/050941c2-55ea-4f2d-bf76-806d06c9d204/IMG_7183.jpg Study #2 “The focus is on the relationship between the musicians and the dancer, with no staging other than the dramaturgy of sound of voice, percussion and guitar. In this bare but charged spirit, emotion is centre stage.” — AURÉLIE BRUNELLE https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/8757c793-3e33-419f-9347-03302194a777/IMG_7331-2.jpg Study #2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/67f4fd69-4b83-4284-872b-dcfa38e53ad2/IMG_7316.jpg Study #2 “Flamenco is a matter of dialogue, sometimes negotiation. It is deliberately explosive. That’s what creates a palpable tension on the stage. The audience is on the edge, in tension, because the artists are too.” – ALVARO ECHÁNOVE https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/f6c9e516-1a57-4721-a025-d6831bc8d29a/Untitled-3.png Study #2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.inquiryintotimeandperception.com/philip-szporer daily 0.75 2022-03-02 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/74adc662-65d0-4f07-8b94-eaa7a11faa76/Philip_14-3.jpg Philip Szporer Montreal-based filmmaker, writer, and lecturer, Philip Szporer, has been immersed in the Canadian dance world for close to 40 years. He teaches in both the Contemporary Dance department and the Loyola College for Diversity and Sustainability at Concordia University. In 2001, Philip along with Marlene Millar, co-founded the Montréal-based award-winning media arts production company, Mouvement Perpétuel, co-directing and co-producing documentaries, short dance films, and installations to great acclaim. Works include a stereoscopic (3D) live action/animated film Lost Action: Trace, created with choreographer Crystal Pite and animator Theodore Ushev; 1001 Lights, a gallery/museum installation; Bhairava, a site-specific dance-for-camera film, featuring dancer and choreographer Shantala Shivalingappa; and MABOUNGOU: Being in the World, a recently completed documentary on the life and times of dancer-choreographer-philosopher Zab Maboungou. Philip has also served as artistic advisor for interactive exhibits and installations, including the Corps rebelles/Rebel Bodies exhibition, Musée de civilisation (Québec City), and the Regroupement québecois de danse Toile Mémoire interactive map project. In 2018, he co-founded Dance + Words, with Kathleen Smith, a collective dedicated to developing ideas and facilitate conversations around cultural discourse, such as the Wikipedia Dance Project. Literacy activism around the discipline of dance and dance-film remains at the heart of Philip’s practice, and has taken him around the globe. He’s guided dance-film workshops, worked as a choreographic facilitator, mentored emerging artists, conducted writing workshops, and facilitated a multitude of audience engagement activities. As a broadcast journalist, he has worked at CBC Radio, been dance commentator for Radio-Canada’s arts magazine Aux arts, etc., and served as Canadian correspondent for The World (BBC/WGBH-Boston). Dance writings have been published in The Dance Current, Tanz, and Dance Magazine, among others. Further publications include scholarly essays and chapters in Motion Pictures: Dance’s Duet with the Camera (Palgrave Macmillan), Envisioning Dance on Film and Video (Routledge), and the Oxford Handbook of Jewishness and Dance (Oxford University Press). Philip was recognized in 1999 with a Pew Fellowship (National Dance/Media Project), at the University of California, Los Angeles. He was awarded the Jacqueline Lemieux Prize, in recognition of exceptional achievements in dance, by the Canada Council of the Arts in 2010. In 2016, he was presented a Distinguished Teaching Award bestowed by Concordia University’s Faculty of Fine Arts. https://www.inquiryintotimeandperception.com/francais daily 0.75 2022-03-02 https://www.inquiryintotimeandperception.com/accueil daily 0.75 2022-03-07 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/addb7057-8816-47f7-8519-44cf604eadb0/art-experience-john-dewey-first_1_10003111f0fd4b76a74439db6b2a6262.png Accueil - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.inquiryintotimeandperception.com/historique daily 0.75 2022-03-07 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ffdc14a2-771d-4562-b6a7-e288c546b29d/photo+3.JPG Historique - The “Inquiry into Time and Perception” project has provided me with a perfect frame within which to explore an in-depth exploration of temporality as seen through two distinct lenses. While one lens is focused on exploring temporality as cinematic time, a union of instances as captured by the camera, the other is centered on the body in motion, which under most circumstances treats time as duration. The pull and push between these opposing forces has resulted in studies rich in the dissident harmonies created by the inescapable visual friction. Crédit photo : Marlene Millar https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/a587cc54-7d8a-446c-86a2-0784c080a67f/photo+1.jpg Historique Crédit photo : Marlene Millar https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/69682279-3b8b-4736-bc21-ce3c4b80acbd/OCTOBER+26+RACHEL+6*.jpg Historique - Étude #1 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/ba5f9bf4-8dd9-4d09-854a-f13a9f043438/Inquiry%232_stills+1.jpg Historique - Étude #2 https://www.inquiryintotimeandperception.com/etude-1 daily 0.75 2022-03-08 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/90f77442-28b1-4ada-bebf-122387ac31f1/1.jpg Étude #1 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/3f004041-eaa4-4236-9d7d-a3507507fbb8/2.jpg Étude #1 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/d64247c0-3ec8-4e0b-a9d3-60b56188540c/RACHEL+7.jpg Étude #1 Dancer: Rachel Harris https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/75f5b143-6e57-40e8-8a9a-e0b16353824d/12239208_10153769375072744_3733798292877912668_o.jpg Étude #1 - Make it stand out Festival Light Moves of Screendance, Novembre 2015 — Préselectionné, prix du festival. https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/31315821-9000-41e7-af0c-3784ad426c21/Untitled-1_.png Étude #1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/6ac1cb09-f0f0-4f3c-bfcc-c4943136799c/Untitled-32.png Étude #1 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.inquiryintotimeandperception.com/etude-2 daily 0.75 2022-03-12 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/83550595-7fad-4c83-b161-dfb44e12940d/IMG_7105.jpg Étude #2 « L'une des principales discussions avec mes collaborateurs sur ce projet a porté sur l'art de la présence. Qu'est-ce qui rend un artiste si captivant à regarder sur scène, de sorte que nous sommes obligés de ne regarder qu’eux. Pourquoi suivons-nous leur parcours, captivés, alors que les autres semblent disparaître de notre premier plan ? À travers eux, nous sommes entraînés dans un état de présence qui élargit non seulement les mondes qu'ils dépeignent, mais nous emmène dans nos propres mondes intimes d'imagination, d'espoirs, de rêves et de souvenirs, où nous percevons les choses d'une manière plus viscérale, plus expérimentale, et en sommes affectés. » — PHILIP SZPORER, Réalisateur https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/050941c2-55ea-4f2d-bf76-806d06c9d204/IMG_7183.jpg Étude #2 « L'accent est mis sur la relation entre les musiciens et le danseur, sans autre mise en scène que la dramaturgie du son de la voix, des percussions et de la guitare. Dans cet esprit dépouillé mais chargé, l'émotion est au centre de la scène. » — AURÉLIE BRUNELLE https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/8757c793-3e33-419f-9347-03302194a777/IMG_7331-2.jpg Étude #2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/67f4fd69-4b83-4284-872b-dcfa38e53ad2/IMG_7316.jpg Étude #2 « Le flamenco est une affaire de dialogue, parfois de négociation. Il est délibérément explosif. C'est ce qui crée une tension palpable sur la scène. Le public est sur le qui-vive, en tension, car les artistes le sont aussi. » – ALVARO ECHÁNOVE https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/f6c9e516-1a57-4721-a025-d6831bc8d29a/Untitled-3.png Étude #2 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.inquiryintotimeandperception.com/philip-szporer-fr daily 0.75 2022-03-06 https://images.squarespace-cdn.com/content/v1/61bb967c5418d861bcc6ab09/74adc662-65d0-4f07-8b94-eaa7a11faa76/Philip_14-3.jpg Philip Szporer Philip Szporer, cinéaste, écrivain et conférencier basé à Montréal, est impliqué dans le monde de la danse canadienne depuis près de 40 ans. Il enseigne au département de danse contemporaine et au Loyola College for Diversity and Sustainability de l'Université Concordia. En 2001, Philip et Marlene Millar ont cofondé la société de production d'arts médiatiques Mouvement Perpétuel, basée à Montréal, qui a reçu de nombreux prix. Ils ont coréalisé et coproduit des documentaires, des courts métrages de danse et des installations qui ont été très bien accueillis. Parmi ses œuvres, citons le film stéréoscopique (3D) en direct/animé Lost Action : Trace, créé avec la chorégraphe Crystal Pite et l'animateur Theodore Ushev ; 1001 Lights, une installation de galerie/musée ; Bhairava, un film de danse pour la caméra, mettant en vedette la danseuse et chorégraphe Shantala Shivalingappa ; et MABOUNGOU : Being in the World, un documentaire récemment achevé sur la vie de la danseuse-chorégraphe-philosophe Zab Maboungou. Philip a également servi de conseiller artistique pour des expositions et des installations interactives, notamment l'exposition Corps rebelles/Rebel Bodies, Musée de civilisation (Québec), et le projet de carte interactive Toile Mémoire du Regroupement québécois de danse. En 2018, il a cofondé Dance + Words, avec Kathleen Smith, un collectif dédié au développement d'idées et à la facilitation de conversations autour du discours culturel, comme le Wikipedia Dance Project. L'activisme littéraire autour de la discipline de la danse et de la cinédanse reste au cœur de la pratique de Philip, et l'a emmené autour du monde. Il a dirigé des ateliers de danse et de cinéma, travaillé en tant que facilitateur chorégraphique, encadré des artistes émergents, dirigé des ateliers d'écriture et animé une multitude d'activités de mobilisation du public. En tant que journaliste de radiotélévision, il a travaillé à la radio de la CBC, a été commentateur de danse pour le magazine artistique de Radio-Canada Aux arts, etc., et a été correspondant canadien pour The World (BBC/WGBH-Boston). Ses écrits sur la danse ont été publiés dans The Dance Current, Tanz, et Dance Magazine, entre autres. D'autres publications comprennent des essais et des chapitres dans Motion Pictures : Dance's Duet with the Camera (Palgrave Macmillan), Envisioning Dance on Film and Video (Routledge), et l'Oxford Handbook of Jewishness and Dance (Oxford University Press). Philip a été récompensé en 1999 par une bourse Pew (National Dance/Media Project), à l'Université de Californie, Los Angeles. En 2010, le Conseil des Arts du Canada lui a décerné le prix Jacqueline Lemieux, en reconnaissance de ses réalisations exceptionnelles en danse. En 2016, il a reçu le Distinguished Teaching Award décerné par la faculté des beaux-arts de l'Université Concordia. https://www.inquiryintotimeandperception.com/contact-fr daily 0.75 2022-03-07